Ambient + Dry Recording

Synchron Duality Strings

Uniting the Best of Both Worlds

Epic lushness or subdued elegance? Soaring Hollywood strings that fill the big screen or the immediacy of a close mic’d smaller ensemble? Why settle for one when you can have both?

Opposites attract, after all, and with Synchron Duality Strings, they don’t just complement each other – they elevate one another. Each collection of the series features a large ensemble recorded in the world-class acoustics of Stage A and a smaller one captured in the tight, controlled environment of Stage B. Performing together, perfectly in sync, they cover the full spectrum: from regular articulations to subtle flautandos, from muted tones to fingerboard-burning virtuosity, from bold intensity to restrained passion. These versatile string collections have far more in store for you than just double the possibilities – they form a 'Dynamic Duo' that provides an exceptional, life-like string sound with a host of options.

Discover the Series

Synchron Duality Strings (regular)

Standard

Full

Synchron Duality Strings (sordino)

Standard

Full

Synchron Duality Strings (colors)

Standard

Full

Synchron Duality Strings (virtuoso)

Standard

Full

Overview

  • Two string ensembles, one performance

  • Lush Hollywood-proven and direct, immediate strings

  • Ensembles recorded separately at Synchron Stage A and B, playing together

  • 52 Players in Stage A + 27 players in Stage B = 79 in total

  • Seamlessly blendable

  • Use them in combination or separately

  • Multiple dark and bright mics, additional ribbon mics and “room” presets

  • The Duality Principle: The two string ensembles were sampled at once, playing in separate rooms at Vienna Synchron Stage. While the larger ensemble played in the famous main hall, Stage A, the smaller ensemble was recorded in the relatively dry Stage B. Both ensembles performed together, with the conductor on the podium in Stage A also directing the ensemble in Stage B via video monitors. And that’s where the magic happens! With the musicians’ ability to hear each other from different rooms, all musical aspects of every performance are perfectly in sync, such as volume, timbre, vibrato, note length, and phrasing, for every articulation. Seamlessly blend the resonant sound of a full ensemble with the close, personal touch of a smaller group.

Section Sizes
Stage A
Stage B
Total
14   First violins
8   First violins
22
12   Second violins
6   Second violins
18
10   Violas
5   Violas
15
10   Violoncellos
5   Violoncellos
15
6   Basses
3   Basses
9
52
27
79

  • Short notes

    • Spiccato normal and tight

    • Staccato normal and hard

    • Détaché normal, marcato, soft

    • All with bold and agile attack variants

    Long notes

    • Sustains with soft and strong vibrato, normal/soft/fast/sfz attack

    • Espressivo

    • Swell

    • All except no vibrato with normal, soft, and very soft release

    • Sustains without vibrato, normal and fast attack

    Performance legato

    • Legato normal and agile, soft/strong vibrato and espressivo (normal only), normal/fast/sfz attack

    • Slurred legato, soft/strong vibrato and espressivo, normal/fast/sfz attack

    • Portamento, soft/strong vibrato and espressivo, normal/fast/sfz attack

    • All with normal, soft, and very soft release

    *The Double Basses have no 3rd trills and lack measured tremolo at 180 BPM.

  • To capture the spectacular ambience of Stage A and the signals in the dryer sounding Stage B, our engineers employed separate phase-coherent microphone configurations that were recorded simultaneously to provide a broad range of room options. All sections were recorded separately at their designated positions.

    The Dark and Bright microphone signals of Stage B consist of a mix of two pairs of mics, respectively:

    • Dark Mics: Royer SF24 + Sennheiser MKH 8040

    • Bright Mics: Neumann M149 + Ehrlund EHR-M

    The additional Ribbon L/R microphones that come with each Full Library add an extra warm, low-mid layer to the transparency of the Decca Tree in Stage A, for an even lusher string sound.

    The main surround microphone settings may also be used instead of the main stereo room mics in order to achieve a wider and more ambient mix. Blending surround signals with the other microphone signals creates a denser, more lush overall sound, even in stereo applications.

    Room Mix Presets feature an excellent mix-down to stereo from the Decca tree and surround mic positions for a CPU and RAM-saving sound that’s perfectly balanced right out-of-the-box. A host of Mixer Presets is available in the categories of “Decca Tree Multi-Mic”, “Surround to Stereo Downmix”, and “Surround”.

    Due to the comprehensive selection of discrete audio channels you can mix your string sound in stereo, 5.1 surround or even Dolby Atmos (or any other immersive audio format, such as 9.1 Auro 3D).

Standard Library
Full Library
Stage A
Solo Mic (Mono)
Mid Mic (L/R)
Ribbon Mic (L/R)
Main/Room Mic – Decca Tree Stereo (L/R)
Main/Room Mic – Decca Tree Mono (Center)
Main Surround – Stereo (L/R)
High Stereo (3D) – Stereo (L/R)
High Surround (3D) – Stereo (L/R)
Stage B
Dark Mics (L/R)
Bright Mics (L/R)

Discover our Synchron Products

Synchron Solo Violin Standard Library
€ 220.00
Synchron Solo Cello Standard Library
€ 220.00
Duality Strings Essentials
€ 199.00
€ 149.00
Synchron Strings Pro Standard Library
€ 445.00
Synchron Elite Strings Standard Library
€ 445.00
Synchron Strings Bundle Standard Library
€ 899.00
Synchron Harp Standard Library
€ 195.00
Copyright © 2002 - 2024 Vienna Symphonic Library GmbH. All Rights Reserved.